Elvis by me

Elvis by me

LIVRO "ELVIS PRESLEY - A VIDA NA MÚSICA" É LANÇADO NO BRASIL



 








Já está nas livrarias o livro "Elvis Presley - A vida na Música" da Editora Larousse. O livro é do já conhecido Ernest Jorgensen (Série FTD) com 576 páginas contando a vida de Elvis no prima musical. É um livro com detalhes de todas as sessões de gravações de Elvis, de 1953 a 1977 e agradará com certeza os colecionadores! Ernest é um dos maiores pesquisadores da música de Elvis no mundo e conhece muito bem o que os fãs querem saber! No Brasil há uma carência em lançamentos de livros sobre Elvis e este vai quebrar o jejum dos fãs! O valor também está bem acessível, apenas R$ 62,91. Para saber mais sobre este livro visite o site da Editora Escala:
 

Fotos feitas por Elvis Presley

As fotos a seguir foram tiradas pelo próprio Elvis Presley. Elas mostram também a paixão que ele tinha por sua filha Lisa Marie, já que as fotos são todas dela.

 See how they are beautiful those pictures done for Elvis Presley




Disco comemorativo de Elvis Presley é destaque da Billboard 200








AUMENTA COMOÇÃO INTERNACIONAL COM CHEGADA DE VIVA ELVIS - THE ALBUM À 
BILLBOARD 200

Legacy Recordings comemora aniversário de 75 anos de Elvis com novo 
trabalho revolucionário em estúdio inspirado pelo Viva ELVIS by 
Cirque du Soleil de Las Vegas

NOVA YORK, 23 de novembro de 2010 /PRNewswire/ -- O Viva ELVIS - The 
Album, comemoração do Século XXI de Elvis e sua música apresentando a 
voz do Rei como nova paisagem sonora, está causando comoção mundial 
no rastro do recente lançamento pela Legacy Recordings, em colaboração 
com a Elvis Presley Enterprises, Inc. e a Viva ELVIS by Cirque du 
Soleil do ARIA Resort & Casino de Las Vegas. Lançado em todos os EUA 
em 9 de novembro, Viva ELVIS - The Album estreou na metade superior 
da Billboard 200.

The King is Back on the Charts!


INTERNATIONAL MOMENTUM BUILDS AS VIVA ELVIS - THE ALBUM BREAKS INTO THE BILLBOARD 200

Legacy Recordings Celebrates Elvis' 75th Birthday Year with a Groundbreaking New Studio Work Inspired by Viva ELVIS by Cirque du Soleil in Las Vegas

 -- Viva ELVIS - The Album, a 21st century celebration of Elvis and his music featuring the voice of the King in a whole new soundscape, is gathering worldwide momentum in the wake of its recent release through Legacy Recordings, in cooperation with Elvis Presley Enterprises, Inc. and Viva ELVIS by Cirque du Soleil at ARIA Resort & Casino in Las Vegas.  Released stateside on November 9, Viva ELVIS - The Album has debuted in the upper half of the Billboard 200.

Conceptualized and realized by producer/arranger Erich Van Tourneau, Viva ELVIS - The Album is a multi-faceted audio extravaganza creating a larger-than-life musical portrait of Elvis through newly re-imagined versions of "Blue Suede Shoes," "That's All Right," "Heartbreak Hotel," "Love Me Tender," "King Creole," "Bossa Nova Baby," "Burning Love," "Can't Help Falling In Love" and "Suspicious Minds" as well as instrumental interludes based on "Memories" and "You'll Never Walk Alone" (piano interlude).
Three of the tracks on Viva ELVIS - The Album including "Suspicious Minds," the album's first single, were mixed by Grammy Award winning producer Brendan O'Brien (Pearl Jam, Bruce Springsteen).  Four of the album's tracks were mixed by Serban Ghenea with the remaining five mixed by Robert Meunier & Erich Van Tourneau.
"Suspicious Minds," the first single from Viva ELVIS - The Album, impacted radio in late October and is a bonus track on NOW 36, the latest installment in the best-selling chart-topping Now That's What I Call Music anthology series of contemporary Top 40 smash hits.
USA Today selected "Suspicious Minds" as a Pick of The Week noting that the new version "...dispenses with its signature guitar pattern, starting like a cross between a gospel hymn and 'Everlasting Love' before transforming into something like a U2 anthem."
Overwhelming international response to Viva ELVIS - The Album led to the creation of special regional editions of the album showcasing popular local artists "dueting" with Elvis on "Love Me Tender."  Regional artists participating on non-US editions of the album include Anna Puu (Finland), Lisa Lois (Netherlands), Amel Bent (France), Russian Red (Spain), Thalia (Latin America), Jessica Mauboy (Australia), Dani Klein (Belgium), Marie-Mai (Canada) and Aurea (Portugal).
Viva ELVIS - The Album is already charting round-the-world, going Top 40 or better in Canada, Sweden, the Netherlands, the UK, Belgium, Norway, Switzerland, Denmark and France while climbing the charts in Spain, Australia and Germany.
Music critics and other cognoscenti have rallied behind Viva ELVIS - The Album, basking in the record's celebratory delights:
Billboard

""It's all inventive and invigorating, offering proof that Presley's music can handle being all shook up"



FORBES.COM

"'Viva Elvis – the Album' a multi-faceted audio extravaganza creating a larger-than-life musical portrait of Elvis"



MSN MUSIC

"You've never heard these tunes like this before… ear-popping collages"



ASSOCIATED PRESS

"A new take on the King"… "'Suspicious Minds' opens with Elvis' soulful, echoing voice and prominent piano notes, then shifts into a guitar introduction that evokes memories of U2's classic anthem 'Bad.' The song has a strong drum and guitar component without losing the sing-along quality of the original."



BLOOMBERG NEWS

"A radical mix of his hits"



BLOGCRITICS

"And we're off to the races as Viva ELVIS - The Album turns up the heat and the velocity as it dashes through a representative sampling of The King's mastery of genres from Delta blues, gospel and Southern folk to movie soundtracks and Vegas pop"



"You won't be able to help falling in love (with The King) again. Some things were just meant to be!"



RECORD COLLECTOR

"I loved it. A great mash up of Elvis, early, middle and late in his career. Great fun!"



VIRGINIAN- PILOT

"Elvis for the iPod age."



Musicians on Viva ELVIS include Elvis Presley (vocals); Erich Van Tourneau (bass, electric guitar, acoustic guitar, piano and keyboards); Dea Norberg, Jennlee Shallow, Sherry St-Germain, Stacie Tabb (guest singers); Patrick Lavergne and JS "The Flash" Chouinard (basses); Mike Plant, Steve Nadeau, Martin Bachand and Paul Deslauriers (electric guitars); Olivier Goulet (acoustic guitar); Guy Belanger (harmonica); DJ Pocket (scratch).  The album's horn section includes Jean-Francois Thibeault (trombone), Bruno Dumont (saxophone), David Perrico (trumpet), Jean-Francois Gagnon (flugel horn).
When working on the music for the Cirque du Soleil production "Viva ELVIS," Van Tourneau spent more than 3,000 hours reviewing countless albums, films, concert recordings, interviews and home recordings of Elvis.  More than 17,000 samples of Elvis' songs – the raw material for the show – were made during the process.
Working with tens of thousands of samples of Elvis' voice, Van Tourneau often wove several sequences and sounds into the same songs, sometimes changing details such as the key and tempo. In creating Viva ELVIS - The Album, Van Tourneau was looking to accentuate and boost the emotional charge of the songs with the incorporation of ragga, punk or hip-hop elements into classic recordings. In all cases, however, the goal was to respect and understand the essence of the original recordings.
"I would like to acknowledge all of the incredible composers, musicians and technicians responsible for making this music with Elvis originally," said Erich Van Tourneau.  "The album Viva ELVIS would not be what it is today if not for their remarkable contributions."
The postmodern studio masterwork invokes the spirit and essence of Elvis from a contemporary perspective while furthering the revolutionary impulses of Elvis' sound. Viva ELVIS - The Album re-imagines the king's own vocal performances in a broad variety of new musical settings. This new sound echoes Elvis' own versatility and ability to master all music genres, from Delta blues to rockabilly, from raw soul to gospel, from Southern folk to Vegas pop, while incorporating elements of garage rock, punk, urban and hip-hop.
In celebration of all eras of Elvis' musical genius, Viva ELVIS - The Album includes songs from Elvis' rise to fame in the '50s, his movie soundtracks, his triumphant return to the stage in the "'68 Special," and his ground-breaking appearances in Las Vegas.
Viva ELVIS by Cirque du Soleil, a harmonious fusion of dance, acrobatics and live music, opened earlier this year in a specially designed 1,800 seat theater at ARIA Resort & Casino in Las Vegas.  A tribute to the life and music of Elvis Presley, Viva ELVIS focuses on the essential humanity of the one superstar whose name will forever be linked with the history of Las Vegas: Elvis Presley.  Significant moments in his life – intimate, playful and grandiose – blend with timeless songs that remain as relevant today as when they first hit the top of the charts.
Elvis lives on Viva ELVIS - The Album, a 21st century venue for rock's first and biggest superstar.
Viva ELVIS - The Album - produced and arranged by Erich Van Tourneau
1. (Opening)
(mixed by Robert Meunier & Erich Van Tourneau)

2. Blue Suede Shoes
(mixed by Serban Ghenea)

3. That's All Right
(mixed by Brendan O'Brien)

4. Heartbreak Hotel
(mixed by Brendan O'Brien)

5. Love Me Tender
(mixed by Robert Meunier & Erich Van Tourneau)

6. King Creole
(mixed by Robert Meunier & Erich Van Tourneau)

7. Bossa Nova Baby
(mixed by Serban Ghenea)

8. Burning Love
(mixed by Serban Ghenea)

9. (Memories)
(mixed by Robert Meunier & Erich Van Tourneau)

10. Can't Help Falling In Love
(mixed by Serban Ghenea)

11. (You'll Never Walk Alone) (piano interlude)
(mixed by Robert Meunier & Erich Van Tourneau)

12. Suspicious Minds
(mixed by Brendan O'Brien)

Lançamento 2010: CD Elvis Presley – Viva Elvis


O CD Elvis Presley – Viva Elvis  Além de apresentar o Rei do Rock em um novo contexto, o álbum traz canções do início da carreira nos anos 50, das trilhas sonoras dos seus filmes, de seu retorno triunfal aos palcos no “’68 Special,” e de suas sensacionais performances em Las Vegas como “Burning Love”, “Suspicious Minds”, “Blue Suede Shoes” e “It’s Now or Never”. Inspirado no espetáculo de dança e acrobacias do Cirque Du Soleil, também chamado de “Viva ELVIS” e apresentado em Las Vegas desde 2009, o CD Viva Elvis tem produção e arranjos de Erich van Tourneau.
CD ELVIS PRESLEY – VIVA ELVIS

MÚSICAS DO CD VIVA ELVIS – ELVIS PRESLEY
CD Elvis Presley – Viva Elvis
Faixas do CD Viva Elvis / Lista das Músicas:
1. Opening
2. Blue Suede Shoes
3. That’s All Right
4. Heartbreak Hotel
5. Love Me Tender
6. King Creole
7. Bossa Nova Baby
8. Burning Love
9. Memories
10. Can’t Help Falling In Love
11. You’ll Never Walk Alone – Piano Interlude
12. Suspicious Minds
13. Love Me Tender (participação especial de Thalia)

Elvis Presley no GUINNESS BOOK

GUINNESS BOOK

Em 22 de dezembro de 2003 , a lista anual de hits no Guinness Book teve novamente Elvis Presley no topo . A lista foi baseada no número de semana que os singles estiveram nas paradas da Inglaterra . São eles :
1- Elvis Presley - 1.193
2- Cliff Richard - 1.152
3- The Shadows - 771
4- Elton John - 623
5- Madonna - 606
6- Diana Ross - 560
7- Michael Jackson - 509
8- Rod Stewart - 477
9- Beatles - 456
10- David Bowie - 452

Elvis Presley – Viva Elvis The Album (2010)


Elvis Presley Viva Elvis the album
Elvis Presley Viva Elvis
Track List:
01. Opening 02:11
02. Blue Suede Shoes 03:12
03. That’s All Right 04:41
04. Heartbreak Hotel 04:55
05. Love Me Tender 04:13
06. King Creole 04:27
07. Bossa Nova Baby 03:07
08. Burning Love 04:16
09. Memories 00:55
10. Can’t Help Falling In Love 04:40
11. You’ll Never Walk Alone (Piano Interlude) 01:28
12. Suspicious Minds 04:25
13. Love Me Tender (Duet With Marie-Mai) 04:15

ENTREVISTA COM JERRRY SCHILLING/ INTERVIEW:JERRY SCHILLING (THE DAY ELVIS CRIED)

"My worst memory, and the worst day of my life has to be the day Priscilla took Lisa Marie away from Graceland," says Schilling. "To this day, that image still haunts me..."

Minha pior lembrança ,e o pior dia da minha vida foi quando Priscilla levou Lisa Marie embora de Graceland",diz Schilling."Até hoje ,aquelas imagens me assombram...."

On October 9, 1973, after 5 years of marriage Elvis and Priscilla were divorced. It was Elvis who filed for the divorce, as token gesture to save Priscilla the embarrassment as she was the mother of his daughter, Lisa Marie, who only 4 years old at the time.

Em 9 de outubro de 1973,eles se divorciaram,foi Elvis quem pediu o divórcio ,livrando Priscilla de uma situação já embaraçosa,uma vez que ela era a mãe de sua filha de 4 anos.

,"It was I very sad day for all of us," says Schilling. "I remember how Elvis just stood in Lisa's bedroom and watched in silence as Alberta (Graceland's cook) helped Priscilla pack Lisa's clothes and toys into several suitcases... Elvis said nothing, but I could see the pain in his eyes," recalls Schilling.

"Foi um dia triste para todos nós,diz Schilling." eu me lembro de Elvis no quarto de Lisa observando em silêncio enquanto Alberta ( a cozinheira de Graceland) ajudava Priscilla a fazer as malas com as roupas e brinquedos de Lisa.....Elvis não dizia nada,mas podíamos ver a dor em seus olhos.",recorda Schilling.

"Suddenly, he yelled out to me and Joe (Esposito) to help Priscilla put the baggage into the car. Elvis just couldn't bring himself to carry the bags out to the car, himself," whispers Schilling.

"De repente ,ele gritou para mim e Joe,para que ajudássemos Priscilla a colocar as bagagens no carro. Elvis não conseguiu fazer isso sozinho," sussura Schilling.

Unaware of the happening between her parents in her bedroom, Lisa Marie played happily with her nanny outside the grounds of Graceland.
Sem saber do que se passava,Lisa brincava com a babá nos jardins de Graceland.In an aim to spare Lisa the sorry of their separation, Elvis and Priscilla had told her that she was going away on a vacation with her mother to Los Angeles, where she was going to attend school. "It broke my heart to see Elvis, a man who had everything, suddenly be lose the most important person in his life - his daughter."

Num esforço para poupar Lisa do sofrimento,Elvis e Priscilla disseram a ela que iria passar férias com mãe em Los Angeles,onde ela iria para escola também."Partiu meu coração ver Elvis,um homem que tinha tudo,de repente perder a pessoa mais importante de sua vida,sua filha."

"Lisa was more important than life itself to Elvis." Now she was being taken away from him," says Schilling.

" Lisa era mais importante do que a vida para Elvis." Agora ela estava sendo tirada dele",diz Schilling.

Although, the court ruled Priscilla gets custody of Lisa Marie, Elvis believed his daughter would be far better off raised with small town of values in Memphis, just like he was, than in a big city like Los Angeles.

Apesar da custódia da menina ter sido dada á mãe,Elvis acreditava que ela seria melhor educada numa cidade pequena,Memphis, que conservasse os valores,como ele fora, do que numa cidade grande como Los Angeles.

"Elvis just stood watching as we load up Priscilla's blue Mercedes.

"Elvis ficou observando enquanto Priscilla colocava as malas no Mercedes azul."

Until that finally moment, Elvis was still composed, but when it was time to bid farewell to his daughter, Elvis broke down and cried as he swooped his beloved Lisa into his arms. Elvis held Lisa tight for a very long time. "Be a good girl, Button-head," whispered Elvis. (Button-head was Elvis' pet name for Lisa) "You come and visit often, you hear," said Elvis trying to hold back the tears. Then out of sheer desperation Elvis insisted, "Get mummy to teach you how to use the phone, so you can call me everyday, okay."

Até os momentos finais ele parecia conter-se.Porém,quando chegou a hora de despedir-se da filha ele desabou em lágrimas ,enquanto abraçava a filha.Ele a segurou durante um longo tempo."Seja uma boa garota,Button-head",Elvis susurrou.(Button-head era o apelido que Elvis deu a Lisa)"Vc vem me visitar sempre,está ouvindo,"Elvis disse tentando conter a lágrimas.Então em desespero Elvis insistiu:" Peça a mamãe que lhe ensine a usar o telefone,então você pode me ligar todo dia,okay."

As Schilling recalls, "Lisa Marie, was always a very perceptive child. She realised this was not the usual way her daddy said goodbye. Normally, Elvis would says, 'Button-head I'm off to work. What do you want daddy to bring you back, this time?'"

Schilling recorda,"Lisa era muito perceptiva,ela percebia que auela não era a forma habitual de seu pai dizer adeus.Normalmente,Elvis diria:"Button-head,eu estou saindo para trabalhar,o que vc quer que o papai traga na volta pra vc,desta vez?"

"This day was strange, and Lisa knew it. She looked into her daddy's eyes and asked him, 'Are you crying, daddy?"

"Este era um dia estranho e Lisa sabia disso.Ela olhou nos olhos do pai e perguntou:"Vc está chorando ,papai?"

At the point, Elvis flashed Priscilla a look that could kill, then delivered Lisa into her mother's awaiting arms, turned on his heels, walked back into the house, without looking back.

Neste momento,Elvis lançou um olhar para Priscilla que poderia matá-la,e entregou a menina nos braços dela,virou-se e entrou em casa,sem olhar para trás.
"I'd seen that look before in Elvis eyes," says Schilling. "It a look that still sends a chill went down my spine, when I think of it... It's was a look of pain, anger, desperation and hurt."
"Eu já tinha visto aquele olhar de Elvis antes,"diz Schilling."Ainda sinto um arrepio na espinha,quando lembro daquele olhar.....um olhar de dor,raiva,desespero e mágoa."

"For the rest of that day, till about 4 am that night, Elvis closed himself up in his bedroom. He wouldn't eat or take our calls."

"Pelo resto daquele dia,até as 4 da manhã ,Elvis ficou fechado no quarto.Ele não comeu nem atendeu nossos chamados."

"We got very worried. We thought maybe he had knocked myself out with a whole lot of sleeping pills."

"Nós ficamos muito preocupados,pensávamos que ele pudesse dar um fim a vida com todas aquelas pílulas."

"From time to time, Joe and I would sneak up to his bedroom and listen at the door. Once I heard him cursing. Another times I heard him screaming. But mostly we heard Elvis just sobbing."

"De hora em hora ,Joe e eu íamos até seu quarto e ficávamos ouvindo na porta.Uma vez eu o ouvi xingando,outras gritando,mas a maior parte das vezes nós o ouvimos soluçar,chorando..."

Finally, Schilling admitted, "I now know, that day was the beginning of the end for the Elvis I had met."

Finalmente,Schilling admitiu: "Agora eu sei que aquele dia foi o começo do fim do Elvis que eu conheci."

Elvis talk

" I never had a true love as everybody has, and I am also a person"

Picture of the month - January

Picture of the month - January

Graceland